Camille Paglia Trolls the Oscars

Camille Paglia has, it seems to me, a persistent issue with confirmation bias. In the linked article below, she once again arrives with a dubious thesis that she then (predictably) locates a few snippets of anecdotal evidence for, rarely (never?) considering contrary instances. And the cultural narratives she purveys are tidy just-so stories that coincidentally line up with the youthful glory days of her own biography: how much the young have missed by not being young when she was young! (They’re the outsiders, she’s the insider.) And she manages (surprise!) to see exactly what she wants to see. Her readings are creative and contrarian, but what relation to reality do they actually have? And why, after pumping Trump up against Hillary throughout the election season, has she now fallen silent on his election? She shows up in public again, at a moment of astonishing contemporary upheaval, to tell us her analysis of…the cultural magnitude of Elizabeth Taylor in 1961. Seriously.

I do like the Faye Dunaway image that accompanies the article, though.

 

The social critic and author of the upcoming ‘Free Women, Free Men: Sex, Gender, Feminism,’ writes that Elizabeth Taylor’s 1961 win was “a huge cultural watershed,…

About Santi Tafarella

I teach writing and literature at Antelope Valley College in California.
This entry was posted in aesthetics, beauty, donald trump, feminism, hillary clinton, Politics, Uncategorized. Bookmark the permalink.

One Response to Camille Paglia Trolls the Oscars

  1. I couldn’t agree more. She was, of course, a feminist Trump-like creature long before Trump.

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